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  • Frick HouseFrick House New York City, New York
    The Frick Collection is an art museum housed in the magnificent mansion built by Frick in 1913-1914, and designed by Thomas Hastings. The museum is located in Manhattan, New York City, New York, when Henry Clay Frick moved his family, holdings and art collection to New York City from Pittsburgh where he had become rich in the steel industry, by supplying coke to Carnegie Steel and eventually forming a partnership which would one day become U.S. Steel. Henry Clay Frick was an American industrialist and art patron, once known as the most hated man in the country, and also the worst CEO of all time. His company, the H. C. Frick & Company employed over 1100 workers at one time, and controlled more than 80% of the coal leaving Pennsylvania. The Frick, as the museum is referred to, is one of the most prominent small art museums in the nation, but with an excellent quality of old master paintings and exquisite furniture that sits in 16 galleries inside the former residential mansion. Many of the paintings still hang in the place that Frick had arranged them in, with many more being purchased over the years that would complement the masterpieces already part of the museum and collection. It holds many of the famous works of art by important European artists, including porcelain and sculptures, along with 18th century French furniture, Oriental rugs and Limoges enamel. His daughter, Helen Clay Frick would increase the size of the collection by one third, after his passing, since 1919, and the museum is the overseer of the Frick Art Reference Library. The mansion is said to be the inspiration for the Avengers Mansion from the fictional comic book genre, and the mansion covers the entire block at the corner of Fifth Avenue and East 70th Street; but of course, the address is a Fifth Avenue address instead of an East 70th Street address. Featured in the magnificent collection of paintings is Jean-Honore Fragonard's masterpiece, The Progress of Love, three paintings by Johannes Vermeer that contains the Mistress and Maid and Piero della Francesca's St. John the Evangelist. Artists that are included are; Cimabue, Titian, Barna da Siena, J. M. W. Turner, Jan Van Eyck, Gentile da Fabriano, Rembrandt, Giovanni Bellini, Francisco Goya, Francois Boucher, Diego Velazquez, John Constable, Malvina Hoffman, Jean-Baptiste Camille Corot, Anthony van Dyck, Aelbert Cuyp, James McNeill Whistler, Thomas Gainsborough, El Greco, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger and Andrea Riccio.

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  • Morris-Jumel MansionMorris-Jumel Mansion New York City, New York
    The Morris-Jumel Mansion, often referred to as the Roger and Mary Philipse Morris House sits atop a small knoll in the historical section of Washington Heights, and is the oldest house still standing in Manhattan, where the British and the American forces would be headquartered in the great American Revolutionary War; and perhaps a place of hauntings. The beautiful structure was built in 1765, by Roger Morris, and is a marvelous example of the Palladian style of architecture. Roger was the nephew of a very wealthy English architect, and duely influenced by the designs of a 16th century architect, Palladio, which is so evident in his home, which includes a wonderful portico and pediment, held up by outstanding Tuscan columns, and a big, two story octagonal addition to the rear of the house. This octagon space is considered to be the first of its kind in this country. Its history is marvelous, with General George Washington coming here in 1776, sometime between September and October, using the magnificent mansion as the temporary headquarters when he and the army were pushed out of Brooklyn Heights, after they had lost a battle to the British army. The British were led by General William Howe and the battle of Long Island was the one lost. The mansion is one of the marvelous landmarks that still stand after the Battle of Harlem Heights, when it would become the headquarters of British Lt. General Sir Henry Clinton and his Hessian commander, Baron Wilhelm von Knyphausen. Other distinguished visitors included; Thomas Jefferson, John Adams, John Quincy Adams and Alexander Hamilton. In 1810, Stephen and Eliza Jumel bought the house and after he passed on, Eliza would marry the enigma ex-vice president Aaron Burr, who lived here during the a short time in the 1830s, and after he passed on in 1836, Eliza would live there by herself until she passed on in 1865. In 1882, the Morris descendants would split up the property's 110 acres into 1058 lots. The city bought the house in 1903 and it was made a National Historic Landmark in 1961. It has been featured on the Bob Villa A&E Network show, Guide to Historic Homes of America in the year 1996. It is completely furnished with the period furniture and furnishings, with replicated carpets and wallpapers of the era and open for public tours as a historic museum house. Roger Morris was a British officer that had served in the French and Indian War, and after retiring from the army in 1764, came to New York City with his American wife, Mary Philipse and built his mansion the next year, calling it Mount Morris. He and Mary left in 1776, just after the start of the Revolutionary War, since he was a staunch loyalist; passing on in 1794 in York, England. Mary lived until 1825, and then she also passed on at the ripe old age of 96. Two of their sons would become captains in the Royal Navy. Eliza Jumel was born in Providence, Rhode Island, to Phebe Kelley Bowen, a prostitute, which Eliza followed into, but was able to keep her secret as she married Stephen Jumel, a rich French wine merchant, in 1804. Because she was of low social standings, the social circles in New York rejected her, even though they moved into the Morris-Jumel Mansion in 1810. She and Stephen went to France in 1815, going to Paris and getting into trouble there, all the while spending Stephen's wealth. He had found out she had a rather dubious past and stayed in France when she went back to New York City, asked to leave France by the king. The marriage started to fall further apart as the couple was apart, and she slowly started selling her husband's holdings and using the money to try to buy her way into the society of the city. Stephen passed on in 1832, with the rumor that Eliza had let him bleed to death, and 14 months later she would marry Burr, in hopes of using his name to get into the society that she so emphatically desired, while Burr hoped to get some of the money he believed she still had. He would go on to misuse the rest of her estate, and they would divorce on September 14, 1836, the same day that Burr passed on.

January 11, 2011