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Governor's Mansion
The Governor's Mansion located
in Salt Lake City, Utah is a uniquely different type of
architectural styled building that was built in 1902 by the wealthy
mining magnate, U. S. Senator Thomas Kearns. It is an elaborate and
extravagant home that was often the scene of political debates as
well as the business of the government. The best craftsmen and
finest materials around were used in its construction and it is more
like the opulent mansions of the east owned by men like the
Vanderbilts and Carnegies. It became a grand entertainment center
where live orchestras played and guests danced the night away after
indulging in decadent meals that were enjoyed by wealthy and
prominent people like the personal friend of Kearns, President
Theodore Roosevelt in 1903 and others that moved in the right
circles of richness and decadence; as did other dignitaries of
politics and religion. Then, in 1937, the widow of Senator Kearns
gave the estate to the state and during the following two decades
the governors of the state would live there during their terms.
Finally, in 1957, Governor J. Bracken Lee envisioned a new residence
for the governor, that would fit in better in the Federal Heights
district of Salt Lake City and the mansion was turned over to the
Utah Historical Society. After the Lees moved out, the society moved
in and it turned into the offices of the society, with library and
museum. In 1977, Governor Scott Matheson proposed renovating the
mansion to become the governor's residence again, so expansive works
were committed to make it ready for daily living and state
functions. In 1980, it became Matheson's home, as it would be for
Bangerter and Leavitt after him. In 1993, a holiday fire broke out
before noon and a majority of the mansion was destroyed but the
lives of all living and working there were spared and the quick
response of the Salt Lake City firefighters were able to stop it
before the historical mansion suffered more damage. The first
priority of the day became getting heat back and the process of
restoring it to its former glory and magnificence. The Division of
Facilities Construction and Management (DFCM) and other agencies
discovered there were enough of the original materials were still
available and a complete renovation started after interviewing all
the potential craftsmen that would be needed for the restoration
project. The main focus, of course, was to return it to its original
condition and to preserve as much as possible of the interior
furnishings and assets, to better the architectural soundness and to
recapture the splendor and beauty of the turn of the century time.
Governor Mike Leavitt stated that it was the most outstanding
historical restoration in the nation, with painstakingly work done
by the artisans that helped restore the magnificent residence to its
former condition, which was quite remarkable and one of the greatest
treasures of the state was saved and gave their centennial
celebration one of the greatest moments in its history. All
the newest safety features were added along with the renovations and
today it is reflective of the abilities of those marvelous
craftsmen. The total cost was $7.8 million. The woodcarving
and plasterwork that was used in the mansion had been unique
architectural features, with the original white oak carvings being
created with extraordinary quality, were made in Europe at the
turn-of-the-century, by either German or Austrian craftsmen, and the
fire destroyed or damage much of these, especially in the Grand Hall
where the Christmas tree stood. The burned carvings were sent to
Agrell and Thorpe, Ltd. in Sausalito, California and taken to their
wood carving shop. There, master carver Ian Agrell, stated that the
carvings would be the biggest wood carving project that had been
attempted in the world within the past decade. His 12 craftspeople
would then spend almost 20,000 hours to recreate the carvings and
during that time found out that even with the tools that were
available today, the designs could not be improved upon. They were
also able to reconstruct the stone carvings that were on the columns
on the upstairs south porch. The special ceiling plasterwork could
not be taken down to clean, nor copied, so it was cleaned and
repaired in place.
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