The White-Pool House

The White-Pool House is one of the
historical homes located in Odessa, Texas that has been placed
on the list of the National Register of Historic Places and
opened to visitation in 1984, with many of its original
furnishings and rotating exhibits. It is a two story, red-brick
house that was constructed in 1887 by Charles White and
eventually purchased by Oso Pool and is the oldest surviving
house in the city, as well as older than any other structure
there. The interior is reflective of the two important
historical periods of the city that include the 1880s when it
was a pioneering period as the house was constructed by the
White family and the 1930s after the oil boom had started and it
was the home of the Pool family. Behind the main house there is
a barn, windmill, other farm structures and an outhouse that was
built with hand made blocks that date back to the original
construction period. The barn houses a wonderful exhibit of
horse-drawn equipment and there are tours for individuals or
groups and it is free of charge. Charles White and his wife,
Lucy, came here from Indiana and were Quakers, coming to Odessa
with their two sons, Herbert and Wilfred. Lucy needed to live in
a dry climate similar to the one that is most prevalent in west
Texas and Charles' grain business in Indiana had fallen on hard
times because of the economic problems that followed the Civil
War. The railroad was selling land in Ector County, so the
Whites, along with many other families came to the region to
start a new life. Charles and Wilfred would open a general
merchandise store in Odessa, and Charles also planted peach and
pear orchards, with the windmill running the irrigation system
that they had created. He would also grow vegetables, cotton and
sorghum. Charles had bought a plot of land by the railroad
tracks for $870 and constructed the Victorian style house and in
1890, Wilfred became the second postmaster of Odessa and he
would be voted in as the county surveyor, the next year. Charles
passed on in 1905, and Lucy with son, Herbert moved eastward to
Mineral Wells, a mineral springs region in Palo Pinto County,
Texas. After they had moved, Wilfred sold the house which
changed hands a few times before Pool bought it in 1923. In
1927, petroleum would be discovered in the Permian Basin and the
flood of people that arrived here would cause a terrible housing
shortage. Pool decided to convert the house into five
apartments, which meant he had to install bathrooms, close in
the porches and partition the rooms. He would live in the
basement and rent out the upper rooms. During the next fifty
years, the house would be passed along to various family
members, all the while the house fell into disrepair. In 1978,
Pool donated the house and six acres to the city for historical
preservation and that began in 1979 and continued until 1984.
Ellen Noel Art Museum
The
Ellen Noel Art Museum of the Permian Basin entwines the people
of the community with the arts by offering them changing
displays and increasing the permanent collections, as well as
collaborating with schools, colleges, universities and other
venues that give them the chance to enjoy art classes, workshops
and family activities. The current exhibition is George Mendoza:
Colors of the Wind that runs until November 7, 2010. The museum
contains three galleries that encompass 22,000 square feet and
are magnificent in scope and range. The McKnight Gallery is the
first section that welcomes visitors, with the Nelda Lee gallery
next and the Patron's gallery lastly, but is the newest and
biggest so it shouldn't be overlooked by any means. It is the
perfect venue to display big collections of works and highlights
articulated walls and display areas. The museum also contains a
secured receiving area, 2 classrooms, an administrative office
wing, the Nancy Chambers library for reference and reading and a
collection storage vault. One recent acquisition is Fire Trees,
Burton Texas that was a gift of the artist, Dee Wolfe and is a
spectacular explosion of color and detail that is a marvelous
addition to the museum's permanent collection. The museum opened
in 1985 as the Art Institute for the Permian Basin, and this
current version is the result of many years of grass roots
fundraising by the community to acquire and maintain a fine arts
museum. The museum's name was changed after ten years by the
magnanimous gifts and patronage of Mrs. Ellen W. Noel, which
afforded the museum to expand in 1998. Another permanent
collection is that of Frank Gervasi, who was born in Palermo,
Sicily in 1895 and began sketching at the age of seven, as well
as painting mountain scenes of his beloved home. He started
training early and often discouraged by his family because they
believed he wouldn't be able to make a decent living at his
vocation. His parents left him in the care of an aunt and
immigrated to the United States, where he would come in 1908 at
age 13. Frank continued to draw through high school and went to
the Catskills to sketch and paint attending a night school for
industrial arts. He would interrupt his training in the arts to
join the army in 1918, to help fight for his new country that he
had come to love. He was wounded in September, at the Battle of
Saint-Mihiel, south of Verdun in France and as he lay there
wounded, medics rushed by him and left him for dead, with his
right arm mangled beyond repair. He would spend the next two
years in hospitals in England and the US, which ended in his
losing his right arm, the dominant one that he had been painting
with for so many years now. After leaving the army, he would
need another decade to relearn to paint with his left hand,
admitting that it was a difficult task to relearn to think left
handed versus the right he had been born with and used. Then, in
1919, after leaving the army, he was naturalized as a US citizen
and continued to learn to use his left hand. During WWII, he
toured with the Red Cross and became a proficient painter
before. He was quite helpful with the other amputees, although
he had been given a prosthetic arm that he felt uncomfortable
with and it made him more aware of his handicap. He began
teaching other amputees how to paint and the men, artists and
veterans at Walter Reed hospital admired his perseverance and
continued determination to paint and live his life as if nothing
had happened to him. During the 1930s, Frank had met and married
fellow Italian Leonilda Lynn Sansone, a graduate of Brown
University and had been in charge of the Italian section of the
New York Public Library where they met. Sadly, they wouldn't
have any children, but were devoted to their interests in
painting and literature and eventually collaborated on writing a
children's story book. Leonilda had been ill much of her life
and by 1982 would be forced to say good by to her beloved Frank.
Frank passed on in 1986 in Marfa, Texas and left behind a
marvelous collection of works that are now housed in the museum.