Freedom House Museum
The Freedom House Museum in a
creation in process, dedicated to preserving the incredible and
amazing story of thousands of women, children and men that passed
through the walls on a heartless harrowing journey that led only to
bondage, hard labor and harder living conditions in the deep south.
It is located in Alexandria, Virginia and had been the former
headquarters of Franklin, Armfield and Company, and built to enrich
the slave traders and slave owners in the south during that
horrendous period. The structure held the biggest domestic slave
trading company in the nation. As stewards of that miserable piece
of property, that had once kept slaves captive until purchased, the
house serves to free, educate and enlighten these peoples' and our
descendants, under the auspices of the Northern Virginia Urban
League (NOVAUL), that today is devoted to the development of the
Freedom House Museum. The museum is currently in progress,
assembling and creating the many exhibits that will tell the story,
and thus far, includes; the king cotton exhibit, nightmares and
dreams exhibit, slave pen exhibit, slave pen iron gate, Civil War
jail cell door, before and after photographs exhibit, who the people
are that have become involved in this marvelous venture, painting
the first floor photos, in the beginning exhibits, photographs of
the brick preservation, footers, dehumidifiers and pumps used,
restoration of the hard wood floors, a diorama stage, restoration of
the original beams, the stairs and painted floors, whitewashing,
painting, utility walls and electrical and lighting refurbishments.
It is actually a work of love in progress, being recreated so that
so many people in this country that never, realized or understood
the terrible life and existence that these poor people had at the
hands of our "forefathers", who had come to a new world to start a
life with freedoms, of religion, of speech, of property and more;
and then use slave labor to achieve their dreams and hopes.
Unbelievable, irreversible and almost unforgiveable, but their
descendants have, or at least some of them have, although we can
never, ever forget that black period in our history, that changed
the course of so many lives and destroyed so many lives; it is our
hope and prayer that these outstanding American pioneers can
someday, some way find it in their hearts to realize that the people
back then, although believed to be righteous and honorable, were in
reality, ignorant backward and selfish; which we, their descendants
will one day have to reckon with as it is for sure that they did and
will.
Pope-Leighey House
The
Pope-Leighey House was originally referred to as the Loren Pope
Residence, which is one of the three Frank Lloyd Wright designed
houses in Virginia, and after being relocated twice, sits on the
beautiful grounds of the Woodlawn Plantation in Alexandria,
Virginia. Journalist Loren Pope and his wife, Charlotte,
commissioned the house from Frank's Usonian principles and was
finished being constructed in 1941 in Falls, Church, Virginia for
$7000. Loren had been writing for the Washington Evening Star and
became interested in Frank after studying his Wasmuth Portfolio, a
1938 Time Magazine article, as well as Frank's recent published
autobiography. Loren met Frank in 1938, when he came to Washington
to make a presentation at a site that he had started but never
finished. Loren went to Frank at his presentation, and said that he
would like him to design his house, and Wright said he didn't design
speculative works, but really only designed houses for "people that
deserved them". Loren then wrote to the architect, starting his
letter "Dear Mr. Wright, There are certain things a man wants during
life, and of life. Material things and things of the spirit. The
writer has one fervent wish that includes both. It is a house
created by you." After Frank agreed, Pope went to visit another
Usonian house that Wright designed and then met Frank at Taliesin;
who then designed a house with 1800 square feet. Pope was only
making $50 a week and borrowing the money needed for the house
wasn't easy, with one lender saying he was building a "white
elephant". Pope's employer, the Evening Star, agreed to loan him
$5700 and the building started after Frank had resized the house
down to 1200 square feet. Loren and his family would live in the
house for only six years, moving away in 1946 to a 365 acre farm in
Loudon County and planned to have a bigger Wright house constructed.
Although Pope didn't make the kind of money needed to build the
house at that time, and it wouldn't be until 1959, but by then,
Wright was very busy designing the Guggenheim museum in New York and
also getting to the end of his life. The design of this house is a
Wright Usonian model a good designed house for middle income folks
that brought the natural elements into its spaces with modest
materials and a flat roof. It is an L-shaped single story, designed
on a 2 by 4 foot rectangular grid scored into the concrete base
painted in Frank's signature Cherokee red and has two bedrooms and a
bathroom in one wing with the living and dining rooms in the other
wing. Where the two wings meet, the entrance was placed, with a
study and kitchen, and because of the land's slope, it had to be
constructed on two levels. The living room ceiling is 11 and a half
feet high while the bedroom wing open out with tall glass doors and
window with a patterned ribbon of clerestory windows at the top of
the walls. The materials Frank used to build the house included
Tidewater red cypress, brick and glass, with the whole house using
radiant heat with hot water pipes embedded in the concrete slab,
like the early 1970s and 1980s houses of Florida, which turned out
to be difficult to repair. The furniture was also designed by Frank;
and he had his apprentice, Gordon Chadwick oversee the overall
construction of the home, although he visited the house on numerous
occasions. He, Wright, thought that the house was costing Loren too
much and didn't bother getting his final payment. Frank wanted to
name the place, "Touchstone", since the design turned out to be one
of his best Usonian ideals. Howard Rickett of Vienna, Virginia was
the house's main carpenter. In 1946, the Popes sold the house to
Marjorie and Robert Leighey, and in 1961, they told them that the
house would be destroyed to make way for Interstate 66. When Robert
passed on in 1963, Marjorie decided to donate the house to the
National Trust for Historic Preservation in 1964, and the entire
$31,500 condemnation award so that the house could be moved. The
house would then be completed taken apart, moved and then rebuilt on
the Woodlawn property and opened to the public in 1965, with
Marjorie living there from 1969 until she passed on in 1983.